New American Paintings/Blog


Alchemy of Paint: A Studio Visit with Margie Livingston and Isaac Quigley by New American Paintings

Margie Livingston (NAP #61) has spent the last couple of years pouring, compacting and carving paint. Her experimentation with the limit of paint’s sculptural malleability has culminated in a (still-evolving) process by which she manufactures sheets of marbled, plastic acrylic that are later rolled, folded and cut into a number of forms, often posts or logs. Isaac Quigley indulges the materiality of paint in a different way, often pushing his canvases toward the brink of assemblage or bricolage. His paintings, which take up to a year to complete, are splashed with landslides of color, overlaid with delicate drawing, and embedded with paper, plastic and textiles.

We convened at Livingston’s studio in the SODO neighborhood of Seattle to discuss some of the shared characteristics of their work. Quite the host, Livingston has laid out a spread of Coconut Bliss, homemade peach tarts and tea for us. It’s the first time the two artists have met, and they start talking right away about paper towels and Rauschenberg. – Amanda Manitach, Seattle Contributor


Margie Livingston and Isaac Quigley.

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