New American Paintings/Blog


Art For Sandy Relief: A Closer Look at The Artist Relief Project by New American Paintings

Like most New Yorkers, it was hard to look beyond our own basic necessities in the days leading up to Hurricane Sandy. Bottled water, flashlights, canned food. But as the winds died down and the storm’s damage was made known, the extent of its devastation proved bewildering. The homes, neighborhoods, and businesses in New York and New Jersey that took the worst of hits were highly visible news stories. But in the days and weeks following the storm there was another community whose irreparable damages came to light: those of the arts community. – Nadiah Fellah, NYC Contributor

ArtistReliefProject_FINALHurricaneSandyPrint_2013
Print featuring artwork from the first exhibition, available for purchase at http://www.ArtistReliefProject.com. 40% of the proceeds will be donated to NYFA’s Emergency Relief Fund for Hurricane Sandy.

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Photos from the Whitney Biennial by New American Paintings

As promised, we’ve posted some of our photos from our trip to the Whitney Biennial. There were many highlights, but we captured some of our favorite artists/pieces. If you went, let us know what you thought about the exhibition in our comments section. More pictures after the jump!


Whitney Biennial Installation featuring works by Andrew Masullo

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Robert Buck at CRG: This American Graveyard by New American Paintings
January 25, 2012, 8:15 am
Filed under: New York, Review | Tags: , , , , ,

A horned cow skull on a nine-foot-tall cement totem looms in the entrance of CRG Gallery. As all of the works in Robert Buck’s show Kahpenakwu (“west” in Comanche), of paintings, drawings, and large sculpture, it serves as a tombstone for Native America, transforming the gallery into an industrial wasteland.

Beyond the totem is a stack of cinder blocks, arranged like the last wall of a dilapidated forge. Otherwise haphazard winter-edition Coca Cola cans have been lightly squeezed and positioned in a ceremonial ascension up the wall’s back; facing the gallery, a few thorny reeds shoot up from the blocks with a similar, seemingly-incidental decorum. – Whitney Kimball, NYC Contributor


Robert Buck | Installation view, Kahpenakwu, 2011 (Courtesy CRG Gallery)

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Piled-Up: Q&A With Allison Schulnik by New American Paintings
November 18, 2011, 10:15 am
Filed under: New York, Q&A | Tags: , , , , ,

Stepping out of the ambient bustling of West 20th street into ZieherSmith last week, the outside world and its stimuli immediately evaporated.  Through the gatherings of weary figures and overripe fauna of Allison Schulnik’s solo exhibition drifts the melancholy melody of Scott Walker’s “It’s Raining Today,” the source imperceptible from the entrance.  Dramatically lit with small spots, and thick with the smell of oil paint, Mound (Exhibiting through December 17th), envelopes its viewers in a multi-sensory experience of nostalgia and theatricality. Chunky impastoed canvases depicting flowers, clowns, animals and hobos are displayed along with Schulnik’s works in other media.  A small gouache painting on paper entitled “Funeral Party” hangs to the side of a small ceramic mammal and a head-shaped vessel.

In the main gallery space, “Mound,” a stunning stop-motion video, and the source of the soundtrack, is projected to fill an entire wall.  Figures and landscape melt into one another, becoming at points, one large undulating mound.  On the adjacent walls, similarly-scaled paintings, “Flower Mound” (100” x 148”) and “Idyllwild” (110” x 78”) are awesome in their size and craftsmanship.  Schulnik moves seamlessly between media, and from large-scale to smaller, more intimate pieces like “White Flower” (ceramic and wood, 37” x 29” x 29”) with the same amount of detail and care.  This tangible transition from painting to film to object brings us fully into the Schulnik world of comic/tragic ruffians, kittens and puppets. I had the opportunity to ask Allison a few questions about her show and the influences in her work… – Alex Ebstein, Baltimore Contributor


Allison Schulnik | Still from Mound, 2011, video, drawing, sculpture, box, 4:33 in length, Courtesy ZieherSmith

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Looking Closer with Josephine Halvorson by New American Paintings
November 17, 2011, 8:20 am
Filed under: New York, Review | Tags: , , ,

Josephine Halvorson breathes life into marginalized and utilitarian surfaces and objects that most of us don’t just disregard on a daily basis, we’re even oblivious to their very existences. How often have you regarded a steam valve so closely that you could draw it from memory? Does your flat even have steam valves? Halvorson lovingly animates these neglected forms in What Looks Back at Sikkema Jenkins & Co (exhibition runs through December 4th), devoting one brushy oil on linen canvas per subject, rendering every curve and crack with equal attention. – Brian Fee, Austin Contributor

Josephine Halvorson | Steam Donkey Valve, 2011, Oil on linen, 18” x 23”, © Josephine Halvorson; Courtesy of Sikkema Jenkins & Co., New York 

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Dissecting Environments with Josh Keyes by New American Paintings
November 14, 2011, 8:15 am
Filed under: New York, Portland, Review | Tags: , , , , , ,

I was pleasantly taken aback by Portland-based artist Josh Keyes’ (NAP #49 & #67) vividly photo-realistic renderings of fauna in cleaved terrain in Fragment, his debut solo exhibition at Jonathan LeVine Gallery last winter. In one fell swoop, Keyes juxtaposed Audobon-precise animals interacting with textbook-style bisected and angled landscapes overrun with premonitions of global warming, a mix of heady surrealism and acute future reality. To say I anticipated his return to the gallery, in Migration — which auspiciously coincided with my long weekend back in town — would be a grave understatement. What I discovered in Keyes’ new series of dissected environments was an even greater sense of realism, between the animals themselves and their depictions, plus the underlying warning signs of a planet headed towards environmental uncertainty. Read more from Austin Contributor, Brian Fee, after the jump!


Josh Keyes | Tangled IV, 2011, acrylic on panel, 30″ x 40″, Courtesy of Jonathan LeVine Gallery, New York.

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Northeast Deadline Extension by New American Paintings
September 2, 2011, 10:00 am
Filed under: Competitions | Tags: , , , , , , , ,

In light of the recent storms that have effected the entire Northeast Region, we have extended the deadline for entry to September 9th, Midnight EST, with no penalty for late entry. We hope that this extension will enable those inconvenienced by the hurricane to apply. If you are an artist residing CT, DE, MA, ME, NH, NJ, NY, PA, RI, & VT, there is still time to enter The deadline is Thursday, September 9th (Midnight EST)! Apply online!

Dina Deitsch, Associate Curator of Contemporary Art at the deCordova Sculpture Park and Musuem, will be jurying what has become one of our most competitive regions.

Artists can now apply online! Simply visit our competition page and follow the instructions. Submitting is easy! Just have four jpegs, less than 1200 pixels at their greatest dimension, and a credit card for the entry fee. Get online and enter by September 9th!

Be sure to check out our recent Q&A with Ms. Deitsch.




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