New American Paintings/Blog


Gallerist at Home: Margaret Heiner by New American Paintings

Nestled in DC’s Georgetown neighborhood, Margaret Heiner’s cozy gallery Heiner Contemporary, is quite perfect for a bustling college town, as it offers visitors young, fresh, and contemporary art.

Heiner has a keen eye for contemporary art, which at her home, serves as quite a compliment to her husband’s passion for Renaissance and Baroque art.  Together, their home reflects their combined love and zeal for art, while also showcasing their different tastes and preferences. – Ellen C. Caldwell, Los Angeles Contributor


Bedroom Grouping, featuring artists: Alexander Gorlizki, R. A. Miller, Edwina White, Skylar Fein, Tony Feher, Avery Lawrence, Dawn Black, Walead Beshty, David Kramer, iona rozeal brown, William Powhida, Theodore “Ted” Turner. Photo courtesy of Nicole Lanteri.

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Collecting Critically: A Q&A with Henry L. Thaggert by New American Paintings

Andy Warhol’s relationship to abstraction is charged. Despite a latecareer painterlyimpulse — which included the Shadows series currently exhibiting at the Hirshhorn — his pictorial language based on representation fundamentally questioned the narrative of post-war painting as defined by Clement Greenberg. And the implications of Pop Art’s emergence over Abstract Expressionism were significant, not least for black artists as changes in collecting preferences opened new doors for art about the African American experience. This was the premise of a talk by art collector Henry Thaggert at the Philips Collection in Washington D.C. a few years back. It’s a perspective that Kara Walker seems to echo, at least indirectly, in a talk on Andy Warhol scheduled for next week at the Hirshhorn. I recently caught up with Thaggert to talk further about Warhol, get his thoughts on collecting art, and about his involvement in the local art scene. – Matthew Smith, D.C. Contributor


Andy Warhol | Shadows, 1978-79. Dia Art Foundation. © The Andy Warhol Foundation for the Visual Arts, Inc. Photo: Cathy Carver.

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