It seems almost fated that Texas transplants Pat Snow and Matthew John Winters would exhibit together. The mellifluous title to their grayDUCK Gallery duet Wintersnow Snowinters echoes the innate, mantra-like concentration evident in their respective works, combining images and memories to sublime conclusions. — Brian Fee, Austin contributor
Upon meeting Snow at the three-artist exhibition True Story at grayDUCK last year, I was stone-cold smitten with his graphite portrait Record Shop Girl and the liquidic color bouquets blooming across watercolor Sleeping vs Waking. There was something uncanny about these figures — Facebook “selfies” of Snow’s friends — something nostalgic, like girls I’d met in university or at some party in New York. His usage of text (either unsteady print or carefully meandering cursive, culled from snippets of conversation or song lyrics) redoubled this deep familiarity. Like: I know them from somewhere, or, I want to know them. Wintersnow Snowinters signals Snow’s first painting show in some two decades, so several earlier watercolor works (like Sleeping vs Waking) reappear here as fully-formed oil on panel compositions. The 2013 Wake features Snow’s hometown friend Heather (now an Austin-based chef) with clouds of grey across her face, like sleep’s last remnants, instead of the tropical shadows from last year’s watercolor. The same script — “it wasn’t so much the sleeping as much as the waking up” — snakes across her partially concealed arm like a tattoo, but the subdued palette radiates hazy consciousness, flickers of violet in her hair, a single streak of watery red extended beneath her lips.
Filed under: Art World, Austin, Behind the Scenes, Q&A | Tags: Austin, Beili Liu, Brian Fee, Candy Cornbread, Cassandra Smith, Closed Mondays, Dameon Lester, grayDuck Gallery, Hector Hernandez, Identity Crisis, Jeffrey Swanson, Jennifer Davis, Jennifer Leigh Jones, Jessica McCambly, Jill Schroeder, Joseph Phillips, K.C. Collins, L. Renee Nunez, Melissa Breitenfeldt, Objectivity, Pattern Plan, Red Bluff Studios, Rock Paper Carbon, Sabra Booth, Satch Grimley, Schroeder Milk Co.
When I relocated to Austin from New York City this summer, I became inextricably attracted to grayDUCK Gallery and its consummate Austin vibe. Its location south of Town Lake puts the gallery in walking distance from “Keep Austin Weird” South Congress, and it shares a Zip Code with Torchy’s Tacos and indie record store End of an Ear — i.e. Austin all the way. Then there is grayDUCK’s rigorous monthly exhibition schedule and its strong roster of local artists. I met with Jill Schroeder, owner and director of grayDUCK, to discuss the gallery’s unique presence and her goals for the future. — Brian Fee, Austin Contributor