New American Paintings/Blog

‘Shakedown’ at DODGE gallery (PHOTOS) by openstudiospress

Taylor Davis, d sell em, 2009, watercolor and watercolor pencil on paper, 10 x 14 inches

With the summer equinox behind us, that can only mean one thing: summer group shows. Capping off their inaugural year in business, New York’s DODGE gallery on the Lower East Side recently opened with one of our summer favorites. SHAKEDOWN, featuring work by the gallery’s roster and invited artists, is a veritable ‘who’s who’ of emergent talent from Boston and New York, including work by Jane Fox Hipple, Laurel Sparks, Taylor Davis, Robert de Saint Phalle, Environmental Services, and several others.

More pics after the jump!

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The Thingness of Color at DODGE gallery by openstudiospress

From left to right: Cordy Ryman, Franklin Evans, and Matthew Rich. Installation view. The Thingness of Color, DODGE gallery, New York.

Literally in the shadow of the boxy New Museum building, in the burgeoning Lower East Side gallery district of Manhattan, a new group show at DODGE gallery is notable not only for its contribution to a growing attention to sculptural and installation forms of painting, but also because three of the four artists exhibited here were included in our 11 to Watch in 2011: Editor’s Picks earlier this year. The Thingness of Color, which includes work by Sarah Cain, Franklin Evans, Matthew Rich, and Cordy Ryman, explores exactly what the title suggests—the three-dimensional qualities of hue itself—with colorful object-hood firmly in tow.  —Evan J. Garza, Editor-at-Large

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It Is What It Is: In the Studio with Jane Fox Hipple by openstudiospress
February 15, 2011, 12:26 pm
Filed under: Art World, Boston, In the Studio, New York | Tags: , , ,

Boston artist Jane Fox Hipple‘s new work for DODGEgallery in the Lower East Side of New York isn’t just remarkable for the process that it emerged from, but that it also marks her first paintings to be exhibited in a solo show. A preparator for the Institute of Contemporary Art/Boston (ICA), Hipple has been honing in on her process for years—and it shows in the work. Her loyalty is to the materials she uses, and to the medium of paint itself, revealing a years-long examination of materiality, subjectivity, and concreteness.

Much of her recent work is a departure from her previous practice, moving ever closer to an appreciation for these works as physical objects in addition to their compositional abstraction. Aligned with contemporary Concrete artists like John Zurier and Joseph Marioni, Hipple’s work is a study of the properties of color, light, and material, with marks and compositions as elegant as they are deeply assertive. I caught up with the artist in her Somerville studio, not far from Harvard Square. Our conversation, and more pics, after the jump.

Evan J. Garza, Editor-at-Large

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Behind the Scenes: Kristen Dodge by openstudiospress

Kristen Dodge is from Boston (don’t get it twisted), and she’s representing Red Sox fans in a city full of Yankees. After several years in Boston where she served as director of judi rotenberg gallery, which shuttered this summer after 40 years of programming, Dodge has taken her new gallerist reigns to the Lower East Side of New York and is running full gallop in her new space, DODGEgallery.

While in Boston, Dodge created a dynamic program of contemporary artists with rotenberg co-director Abigail Ross, which Nick Capasso, senior curator at the DeCordova, said, “became one of the most important places to see advanced work in Boston”—a goal that she is already hard at work executing in her new home in New York at 15 Rivington Street, just around the corner from the New Museum.

Dodge works hard, she expects artists to be hard-working as well, and—to no surprise—she admits that the work she’s drawn to is rigorous. I spoke with the young New York dealer this week to talk about leaving Boston, why she decided on the Lower East Side, and her plans for her new space. —Evan J. Garza

EJG: You were director at judi rotenberg for a number of years before recently moving to New York and starting your own space, DODGEgallery. How did you end up in New York? And why the Lower East Side?
I worked at the rotenberg gallery with Abigail Ross for 6 years. My first day on the job was one of those moments in life when everything falls into place and you find yourself exactly where you need to be. It was an incredible run, and very hard to sever myself from both the gallery and Abi. When I first told her that I needed to follow my own dream, take the leap, grab life by the balls—however you want to say it—she was immediately supportive and excited for me, or relieved to have me off her tail!

I spent a few months weighing the pros and cons of Boston versus New York, and it became very obvious to me that I would have a more balanced lifestyle in Boston, my home, but that I would find greater opportunity in New York. I decided that if I was going to make this commitment and the number of sacrifices that it entails, and ask our artists to do the same, I needed to position the gallery in New York where there is endless and unparalleled opportunity. So I spent about five months traveling back and forth to New York to set up the business. I had some incredible friends who let me sleep on their couch, and so many friends and family who offered their unwavering support. I’m also incredibly lucky that Patton Hindle was willing to pick up her life in Boston and move to New York to join the gallery.

So why the Lower East Side? This is one of the most exciting gallery hubs in the city—it’s the newest generation of spaces, and continues to grow steadily. I’ve heard that nine new galleries opened in L.E.S. this fall. It’s more renegade than Chelsea is now, there’s a greater opportunity to stand out, and find memorable, unlikely spaces [in which] to open a gallery. Visitors like the sense of discovery that the neighborhood offers too. How fantastic is it to walk past a kitchen supply store and stumble into a contemporary art gallery?

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