New American Paintings/Blog

Gallerist at Home: David B. Smith by New American Paintings

Denver’s burgeoning contemporary art scene is anchored by such galleries as David B. Smith Gallery. Representing artists like Laura Ball (NAP #61, #97), Hong Seon Jang, and Cole Sternberg, the gallery is at once contemporary and relevant—and growing with the times.

1. Smith at gallery
David Smith (center, in tie) at opening reception for Hong Seon Jang, Labyrinth, at David B. Smith Gallery, Denver, May 2012. Time-lapse photograph courtesy of Paul Winner.

In his home, as with most other “gallerists at home,” Smith’s passion and enthusiasm for the artists he represents professionally is clear. Pairing paintings with photography and sculpture, he has created a warm and inviting space that reflects his humor and personality as well. – Ellen C. Caldwell, Los Angeles Contributor

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Emerging Again: D.C.’s (e)merge Goes Into Its Second Year by New American Paintings

Last year’s preview night at (e)merge was a big, ruckus party. Amidst the large crowds it was often difficult to navigate the hallways between exhibitors, and the wait for the elevators always seemed impossibly long. While it may have been loads of fun for those of us sipping PBRs by the pool, perusing and buying artwork that evening seemed to require a bit more resolve and determination. This year, the second for (e)merge, the crowds on preview night were noticeably thinned, particularly among the younger set who were likely turned off by the $45 admission price ($60 at the door). The new cover charge seemed like a calculated move by organizers, one of a handful of changes that made this year’s event seem more streamlined and manageable for exhibitors and visitors alike. Whether these changes translated into more sales is anybody’s guess, but sales may not be the right metric to measure the success of (e)merge. At least not yet. — Matthew Smith, Washington, D.C. contributor (All photos by Matthew except where indicated)

Chajana denHarder performing Singularity (Artist Platform). Photo by Tony Wilson

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