New American Paintings/Blog


Must-See Paintings Show: September by New American Paintings

The art world comes alive again in September, as galleries reopen and collectors return from far flung locations. We reviewed upcoming September exhibitions at more than 400 galleries around the country, and there will be a lot of painting on view.

As is typical, many galleries are bringing out the big guns for the new season – from Agnes Martin at The Pace Gallery in New York to a well structured survey of Bay Area figurative painter, Nathan Oliveira, at John Berggruen Gallery in San Francisco. Among the shows opening by emerging artists, it is hard to ignore the trend towards abstract painting that has swept over the art world.


Kimberly Brooks | Punk History, oil on linen, 40 x 36 inches. Courtesy of Taylor De Cordoba, Los Angeles.

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Site Specific: Environmental Services at Solomon Projects, Atlanta by openstudiospress

Environmental Services Paint Shed Showcase, installation view, Solomon Projects, Atlanta. Photo courtesy Solomon Projects.

Environmental Services is Boston artist Douglas Weathersby‘s art-making practice as well as his handyman company and livelihood. Working with clients, galleries, artists, museums, and collaborators, Weathersby responds to both the project at hand and the site itself, transforming accumulations of dust and detritus into elegant installations.

Paint Shed Showcase, his much-anticipated solo show for Atlanta’s Solomon Projects, finds Weathersby at possibly his most refined, with large acrylic on drop cloth paintings operating as both artifacts of his previous work (the ES Paint Shed for Flux Projects) and bona fide paintings and sculptures. As well, the Solomon space has been transformed by wall murals, photographic logs, vinyl graphics by the artist, and installations of used paint cans. As contemporary practitioners continue to explore the painting as object, Weathersby’s approach is in a league of its own, imbuing remarkable conceptual understandings and context into methods of production, the act of art preparation, and actual art-making.

More after the jump.   —Evan J. Garza, Editor-at-Large

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Selfish Media Archeology: In the Studio with Craig Drennen by openstudiospress

Craig Drennen, Dramatis Personae, 2010 | Oil and alkyd on canvas, 72 x 80 inches. Installation view from Craig Drennen: Timon of Athenssamsøn, Boston.

Currently an artist in residency at the Atlanta Contemporary Art Center, and recently named a Dean at the Skowhegan School of Painting and Sculpture, Craig Drennen has a jocular manner and earnest articulation that made for a cheerful studio visit. For the last several years, Drennen has taken vaguely-familiar staged cultural artifacts (the Supergirl movie from the 1980s, Shakespeare’s most obscure play Timon of Athens, or David Robbins’ Talent) and built challenging hyperreal canvases that invite the audience to reconsider the nature of representation. Our conversation, and more images, after the jump.   —Paul Boshears, Atlanta contributor

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Atlanta: In the Studio with Jiha Moon by openstudiospress
January 31, 2011, 10:45 am
Filed under: Atlanta, In the Studio, Q&A | Tags: , ,

Jiha Moon is an Atlanta-based painter whose gestural paintings explore fluid identities and the global movement of people and their cultures. Featured in editions editions 63, 70, and 82 of New American Paintings, Moon was recently a finalist for the Hudgens Prize, selected by jurors that include the Curator of Prints at The Whitney Museum of American Art and the Director and Curator of Exhibitions and Public Programs at The New Museum. I had the chance to visit with Moon at her studio where we discussed her recent incorporation of fabric and collage, a bold step for someone who self-identifies as “a painter’s painter.” More images, and our conversation, after the jump.  —Paul Boshears, Atlanta contributor

Jiha Moon, Mystery Myo – frustration is one of the great things in what you do, 2010 | Ink and Acrylic on Hanji, 51 x 44.75 inches. Courtesy of Saltworks Gallery, Atlanta, GA.

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Fahamu Pecou & The Portrait: A Q&A with Sam McKinniss by openstudiospress
January 18, 2011, 1:29 pm
Filed under: Art World, Q&A | Tags: , , , , , ,

Fahamu Pecou, Close…And a Cigar, 2010 | Acrylic on canvas, 66 x 54 inches. Courtesy the artist.

In 2008, I met Fahamu Pecou at an opening party for a group show at the Amistad Center in Hartford, CT. After viewing his hilarious video,  Instant Celebrity: The Rise of an Urban Legend, I approached the artist to tell him how much I enjoyed it. After introducing myself, Mr. Pecou handed me his business card which read, rather matter-of-factly, “Fahamu Pecou is the Shit.” No phone number, no email, nothing (with the exception of an unforgettable moment).

Since then, the Atlanta-based artist, featured in NAP edition #82, has been exhibiting hip-hop self-portrait inspired work across the globe, including a current solo show at Dallas’s Conduit Gallery. I caught up with the artist last week to discuss his recent work.  —Sam McKinniss, contributor

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