Filed under: NAP News, Pacific Coast, Sneak Peeks | Tags: 97, Ann Diener, Anne Ellegood, Arnold J. Kemp, Brendan Monroe, Brett Amory, Brion Nuda Rosch, Cara Tomlinson, Carolyn Casaño, Chris Duncan, Damien Gilley, Dan Lydersen, David Nielsen, Ellen Lesperance, Erin Morrison, Esther Pearl Watson, Feodor Voronov, Gavin Bunner, Helen DeSanctis, Jenene Nagy, Jeremy Mangan, Julie Schwartz, Julienne Hsu, Kate Vrijmoet, Kathryn Clark, Laura Ball, Linda Geary, Lydia Bassis, Maja Ruznik, Marissa Textor, Mark Dean Veca, Mark Schoening, Mathew Zefeldt, Matt Hosey, Megan Reed, NAP, Nicholas Aguayo, Nicholas Bohac, Pacific Coast, Ralph Pugay, Ryan Molenkamp, Siobhan McClure, Suhas Bhujbal, Wakana Kimura
The 2011 Pacific Coast Issue, #97, is now hitting newsstands across the US. It is expected to ship to subscribers in the next 1 to 2 weeks, so keep an eye out. The juror for this much-anticipated issue was Anne Ellegood, Senior Curator, Hammer Museum, Los Angeles, CA.
In her essay, Ellegood notes that, “Painting is a surface for imagination. This is abundantly evident in the submissions I reviewed for this edition of New American Paintings. While the works presented in the following pages are notably eclectic, one striking correspondence among the artists is their belief that painting can offer us insights into our world…” — View a list of all featured artists and see a few more sneak peaks after the jump!
You can pre-order the issue by calling 617-778-5265.
Filed under: New York, Review | Tags: 97, Alex Ebstein, Anne Ellegood, Damned Sparkling Pump, James Fuentes Gallery, John McAllister
In his fourth solo exhibition at James Fuentes Gallery on the Lower East Side, John McAllister (on Curator Anne Ellegood’s list of recommended painters, as seen in NAP #97) presents a series of medium and larger scale paintings that touch on Modernism, Fauvism, Zen, and interior design. The works in Damned Sparkling Pomp vibrate with lush color, swatches of pattern and abbreviated paintings of paintings, a la Matisse. These flattened interior scenes emphasize the push and pull of the material and flat picture plane, suggesting depth within the foremost layer in flattened space. Within the larger painting, the suggested paintings are often askew, slightly disturbing the evenness and balance of the outer borders. Unlike Matisse’s Red Studio (1911), which depicts paintings arranged in a flattened, red artist’s studio, McAllister has painted his paintings into cropped views of luxurious domestic walls, an element in an overall design and color scheme. Mixing a reverence for painting’s history with a tongue-in-cheek nod to the realities of being a contemporary painter, McAllister’s works are fresh and nostalgic, if not also a little breathtaking. - Alex Ebstein, Baltimore Contributor
See more pictures after the jump!
Filed under: Art World, Curator Watch List, Pacific Coast | Tags: 97, Allison Miller, Anne Ellegood, Dianna Molzan, Hammer Museum, Jay Stuckey, John McAllister, Jonas Wood, Kim Fisher, Lesley Vance, Mary Corse, NAP, Pacific Coast, Ruby Neri, Tom Lawson
We are currently putting together the Pacific Coast issue (NAP #97). Anne Ellegood, Senior Curator, Hammer Museum, Los Angeles, did a terrific job selected 40 artists from over 1,000 that applied to the competition. You’ll have to wait to find out who she selected from the region. But, when we asked her what other painters she would recommend to our readers, she names quite a few. So, check them out after the jump! And look for the Pacific Coast issue on the newsstands in December.
Filed under: Art World, Competitions, Los Angeles, NAP News, Q&A | Tags: Anne Ellegood, CCS Bard, Dan Cameron, Douglas Fogle, Hammer Museum, LA><ART, Lisa Phillips, Los Angeles, Marcia Tucker, New Museum
Only ten days are left for artists to apply to our Pacific Coast Competition 2011, which is open through Thursday June 30! (Apply online if you’re an artist in AK, CA, HI, OR, or WA.) We’re thrilled to feature the incredible expertise of L.A.’s Anne Ellegood, Senior Curator at the Hammer Museum, as the juror for the Pacific Coast Competition, one of our most sought-after issues of the year.
I recently caught up with the Los Angeles curator to find out more about her role at the Hammer, her thoughts on living and working in L.A., and her fondness for emerging artists. More of our Q&A after the jump!
EJG: The Hammer has long had one of the most significant contemporary art programs in Los Angeles. What’s the most exciting thing about what you do at the museum?
AE: There is so much that is exciting at the Hammer, that’s it’s difficult to answer this question. I oversee our Hammer Projects series and also organize a lot of the Hammer Projects shows. We do anywhere from 8-10 of these single-gallery exhibitions a year in different spaces around the museum. The majority of our Hammer Projects focus on a single artist. The shows are tightly curated and usually present new work and are oftentimes the artist’s first museum show. We always have a Hammer Project on and around our large lobby wall, and these projects are particularly challenging and invigorating because they are commissioned new works and oftentimes the artist is pushing and stretching their work in new directions to fill what is a difficult but wonderful space. It’s rewarding to get to be a part of that process.
What role have emerging artists had in your time at the Hammer and in your career?
We are very committed to supporting the work of emerging artists at the Hammer. Los Angeles is a city filled with young artists, many of whom come to L.A. to go to one of the many fantastic art schools and then continue to live in the city. Our Hammer Projects series focuses primarily on emerging artists, and we have had a series of bi-annual exhibitions we call our Invitational that has always included emerging artists (the sixth one, which Douglas Fogle and I organized, was called All of this and nothing and just closed at the end of April). We have also just decided to do a survey of emerging and overlooked artists living in L.A. We are co-organizing this show with LA><ART and it will take place next summer.
Filed under: Art World, Competitions, Los Angeles, Portland, San Francisco, Seattle | Tags: 97, Anne Ellegood, competitions, Hammer Museum, Pacific Coast, Robert Minervini
Robert Minervini, L. A. (sell me something else) | Acrylic on canvas, 50 x 68 inches. Featured in edition #91 of New American Paintings.
Just more than two weeks are left for artists to apply to our annual Pacific Coast competition, one of our most anticipated and highly sought-after books of the year. Jurying the submissions this year is none other than Anne Ellegood, Senior Curator at the Hammer Museum, Los Angeles. We’re thrilled to have Anne as our Pacific Coast juror for the 2011 competition, and we’re excited to see the work from each of the artists who apply.
The Pacific Coast competition is open to artists living in AK, CA, HI, OR, and WA, and the deadline to apply is Thursday June 30, which is just around the corner, so get cracking.