New American Paintings/Blog

Ella Hatchet: Alex Chitty and Alice Tippit at Roots & Culture by New American Paintings
July 2, 2013, 8:30 am
Filed under: Review | Tags: , , ,

At once phonetic and ambiguous, the work in Ella Hatchet reflects the title – a collection of paintings, photographs, and sculptures by Alex Chitty and Alice Tippit that strike a mood, rather than a specific target. In fact, the symbol a target would be the antithesis of what this exhibition, currently on view at Roots & Culture, so beautifully achieves. Embracing the poetic potentials of form, color, and organization of everyday objects, Chitty and Tippit stage an anti-devotional relationship to domestic symbols indicative of art historical tropes, as much as midcentury style and design. Where the embellishment of myth intersects with the cool touch of a textbook, both artists take a critical, yet humorous stance on immediately recognizable symbols and modes of making – silhouette portraiture, the reclining nude, and marble sculpture, to name a few. In Ella Hatchet, a Classical approach to achieving the perfect form is met with the contemporary anxiety of purposeful mistranslation. Taking its cue from the pictorial language of painting and sculpture, as well as its signs/signifiers, this exhibition questions the state of an original object when interpreted into a new context – reveling in all the exciting slippages that occur when traditional systems of representation falter. ­– Stephanie Cristello, Chicago Contributor

Work by Alex Chitty and Alice Tippit, from left: “Autonaut,” 2011, “Snap,” 2011, “Slow Death of a Namesake (Unit I),” 2013, and “Lake Aspect,” 2012. Courtesy of the artist and Roots & Culture.

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