Filed under: Chicago, Kansas City, Review | Tags: Anne Lindberg, Carrie Secrist Gallery, Chicago, Kansas City, Kent Michael Smith, New Work from Kansas City, Paul Anthony Smith, Stephanie Cristello
An effort to define “Midwestern Painting” has been a major topic of discussion lately – not a quite debate, but definitely an inquiry. Carrie Secrist’s recent exhibition New Work from Kansas City, featuring work by Anne Lindberg, Kent Michael Smith, and Paul Anthony Smith, foregrounds an emphasis on site and contemporary practice in the Midwest. While the press release pushes against a read of “regionalism”, the exhibition suggests otherwise – though perhaps this ever-present theme of region is symptomatic of a larger condition concerning a rise in questioning Midwestern “standards” for a definition toward “painting,” the term. Strung together by a loose thread of abstraction, the exhibition features the artists’ differences as opposed to their similarities. Far from being a negative thing, New Work from Kansas City highlights some very prevalent issues in what it means to put together exhibitions with a Midwestern slant today in Chicago. – Stephanie Cristello, Chicago Contributor
Anne Lindberg | parallel 39, 2013, graphite and colored pencil on cotton mat board, 58 x 51 inches,Courtesy the artist and Carrie Secrist Gallery, Chicago
Filed under: Art World, Kansas City, On the Road | Tags: Allison Schulnik, Andrew Katz, Angel Otoro, Archie Scott Gobber, Bill Brady, Bruce Hartman, Carrie Scanga, Cordy Ryman, Corey Antis, Dana Schutz, David Ford, Dolphin Gallery, Huma Bhabha, Ian Davis, James Brinsfield, Jason Fox, Joe Bradley, Jules de Balincourt, Justin Gainan, Kansas City, KEHINDE WILEY, Kent Michael Smith, Kirk Hayes, Leidy Churchman, Lisa Sanditz, Miles Neidinger, Nate Fors, Nerman Museum, Oppenheimer, Plug Projects, Tomory Dodge
That’s right, there is great art in Kansas City. Let me start by saying that I am no stranger to the region. I grew up in Kansas (leaving off the “City” on purpose, for those sticklers for geography), and since leaving it behind for college 15 years ago, a lot has changed. For example, the suburbs have grown beyond belief, the downtown area is no longer a place you go to get shot, and you can eat excellent food that isn’t BBQ. Although I don’t know why you would do the latter. But more importantly to you, a reader of this blog and I assume an art lover, KC has a robust and continually growing art scene. I only got a taste during my recent visit, but figured there was more than enough to share. I was fortunate enough to stop by the Nerman Museum, Dolphin Gallery, Bill Brady Gallery, and Plug Projects, places I would consider “Must-Sees” while visiting the city. – Andrew Katz, Associate Publisher (And Kansas Native)
Filed under: Art World, Chicago, Dallas, DC, Houston, Kansas City, Los Angeles, Miami, Must-Sees, New York, Oakland, Philadelphia, Portland, San Francisco, Santa Fe | Tags: Exhibitions, February, Must-See, NAP, Paintings, Publishers Pick, Steven Zevitas
One of the best parts of my job is getting to see the careers of artists that we have worked with take off. Artists such as James Siena, Amy Cutler and Matthew Day Jackson were all featured in New American Paintings long before they reached the international spotlight. This month is not only an extraordinary month for the medium of painting at galleries around the country, it is a particularly strong month for New American Paintings’ alumni. No fewer than twenty artists featured in past, or upcoming editions, have their work on view in February. Two of my favorites, Summer Wheat and Benjamin Degen, will be featured in the soon to be released 2012 Northeast Edition (#98).
I want to bring special attention to the work of Sarah McEneaney, who was first featured in the mid-1990s. Based in Philadelphia, Sarah is a profoundly gifted artist, and, in my opinion, simply one of the best painters working today. Her painstakingly crafted egg tempera paintings have always had a startling immediacy. Of the many micro-trends that are noticeable in current painting practice, a certain predilection for “faux-naïve” representation is high among them. Sarah was entrenched in this pictorial language long before it washed over the art world. Unlike many younger artists, her creative direction is not a conceptual gambit; rather, it is born out of an internal necessity. – Steven Zevitas, Editor/Publisher
Filed under: Kansas City, Review | Tags: Anne Austin Pearce, Bertrand Delacroix Gallery, Gallery 31, Greenlease Gallery, Halcombe Miller, Milo Gallery, MOMo, Nerman Museum of Contemporary Art, Passport, Unit 5 Gallery, Work Gallery
While pondering on, and salivating before, Anne Austin Pearce’s (NAP #84) most recent collection Passport I came to a striking conclusion: I’ve fallen prey to the reality television trap. As soon as television producers brainstormed the concept of reality TV I’ve been right behind them with a mental pad and pen ready to dissect the private lives of newly appointed public figures. But now I’m tired…Read more by Kansas City contributor, Halcombe Miller, after the jump!
Anne Austin Pearce | Behind the Red Velvet Curtains, 2011, ink, acrylic, colored pencil on paper, 40 x 50”
Filed under: Art Market, Art World, Atlanta, Austin, Boston, Chicago, Dallas, DC, Houston, Kansas City, Los Angeles, Miami, Must-Sees, New Jersey, New York, Oakland, Philadelphia, Philly, Portland, San Francisco, Santa Fe, Seattle | Tags: December, Must-See
In the 300+ gallery exhibitions that we previewed for this post, we discovered a number of New American Paintings’ alumni on view in December. Jim Lutes continues to produce a substantial body of work and, once again, demonstrates why he is one of Chicago’s leading painters. And check out Dolphin Gallery’s group exhibition “Push” which features several NAP artists, including a favorite of ours, Michael Krueger. Other shows that stand out: Fernando Mastrangelo at Charest-Weinberg, Byron Kim and James Cohan Gallery, and Cordy Ryman and Eli Ridgway. Enjoy the list! Please check them out and let us know what you think in the comments section after the jump!
Cordy Ryman | Shadow Boxed, acrylic, enamel and graphite on wood, 38 x 33.5 x 3.5 inches
Filed under: Art World, Atlanta, Boston, Chicago, Houston, Kansas City, Los Angeles, Must-Sees, New York, Philly, San Francisco, Santa Fe | Tags: Amy Casey, Andy Cross, Charles Ritchie, Chris Johanson, Cordy Ryman, Erik Parker, Jaqueline Cedar, Jered Sprecher, Kiel Johnson, Laurel Sparks, Leidy Churchman, Lesley Vance, Matt Connors, Must-Sees, Njideka Akunyili, Siobahn Liddell, Travis Collinson
It’s time to break out the sunscreen and the summer group shows (and there’s no shortage of each). Our editorial staff have put together our Summer Must-See list for July and August, our guide to more than 50 of the best contemporary painting exhibitions in the country, including dozens of notable and not-to-be-missed shows by masters like De Kooning and serious emerging talent like Matt Connors, Lesley Vance, Leidy Churchman, Chris Johanson, and more. Also included are our picks for summer shows by artists previously featured in New American Paintings.
From L.A. to Chicago, Houston to New York and back, our guide includes exhibitions in every corner of the country. Images and listings after the jump!