Filed under: New York, Review | Tags: Ameringer McEnery Yohe, Huffington Post, Liat Yossifor, NAP #79
Liat Yossifor’s ‘Thought Patterns’ Trace The Image Of Thinking And A Moment Undone
Imagine someone traced their finger in the snow, switching between communicating a secret message and showcasing seemingly random scribbles. Now replace snow with gobs of gray oil paints, and you have the work of Liat Yossifor.
Liat Yossifor | Horizontal, 2012, Oil on linen, 12 x 16 inches, 30.5 x 40.6 cm, Photo Courtesy Ameringer | McEnery | Yohe
Yossifor, an Israeli painter now based in Los Angeles, devotes her newest exhibition to tracing thought patterns. Her monochromatic paintings do not depict her thoughts’ contents but the very language of thinking, through whimsical twirls and violent fissures. Like thought itself, the end image is intangible and indeterminate; the lines designate no discreet forms, no certain messages. And yet you see every decision, every hesitation, every inch of doing and undoing, in Yossifor’s careful knife work.
Liat Yossifor | Thought Pattern Ear Horn, 2012, Oil on linen, 80 x 70 inches, 203.2 x 177.8 cm, Photo Courtesy Ameringer | McEnery | Yohe
“Thought Patterns” are painted in one-shot accelerated processes. After the initial grayness covers the canvas, the artist goes to work with black and blue paint and a palette knife, scraping away secrets. The gray paintings look like ancient cave drawings inscribed in quicksand or murky fog, threatening to fade away before they can be fully grasped. The result resembles a mixture of king scribbler Cy Twombly and a young Jean-Michel Basquiat (if he were under the tutelage of minimalist queen Agnes Martin).
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