Filed under: Behind the Scenes, Competitions, Sneak Peeks | Tags: #98, Alexia Stamatiou, Amze Emmons, Andrew Brischler, Becky Suss, Ben Boothby, Ben Weiner, Benjamin Degan, Brian Zink, Cary Smith, Chelsey Tyler Wood, Cristi Rinklin, DeCordova Sculpture Park and Museum, Dina Deitsch, Dodge Gallery, Echo Eggebrecht, Erin Murray, Eugenie Tung, Hannah Cole, Jaqueline Cedar, Jason Bard Yarmosky, Jason Seeley, Jessie Edelman, Joe M. Wardwell, Julie Oppermann, Justin Richel, KAORUKO, Kay Ruane, Kristen Dodge, Laurel Sparks, Louise Marshall, Marc Séguin, Michael Yoder, NAP, Nina Bovasso, Northeast, Peter Opheim, Rebecca Roberts, Rebecca Rutstein, Ria Brodell, Robert Buck, Roxa Smith, Ryan McLennan, Seth Clark, Shawn Huckins, sneak peak, Summer Wheat, Susan Siegel
The 2012 Northeast Issue, #98, is now hitting newsstands across the US. We expect them to ship to subscribers in the next 1 to 2 weeks, so check those mailboxes! The juror for the Northeast issue was Dina Deitsch, deCordova Sculpture Park and Museum, Lincoln, MA.
Deitsch notes in her essay, “While the Northeast can be characterized by its cold weather, ties to the earliest days of American history, a collection of some very good schools, and perhaps, what is politely termed a Yankee frugality or better yet, pragmatism, the truth of the matter is that the art here bears no such defining characteristics. In the realm of painting, where the limits are the mind and hand, there is a remarkable range of forward-thinking ideas, subject matter, and technique. In the grouping of painters featured in this issue of New American Paintings you’ll come across works that speak more to the human experience—both local and global—and a broadening effect of thinking through painting as a material, as color, and less as a means to an end. This shift towards the materiality of paint seems to almost reinvigorate the medium, taking it into the space of the world itself.”
– View a list of all featured artists after the jump!
You can pre-order the issue by calling 617-778-5265.
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Filed under: New York, Review | Tags: CRG Gallery, Kahpenakwu, New York, NYC, Robert Buck, Whitney Kimball
A horned cow skull on a nine-foot-tall cement totem looms in the entrance of CRG Gallery. As all of the works in Robert Buck’s show Kahpenakwu (“west” in Comanche), of paintings, drawings, and large sculpture, it serves as a tombstone for Native America, transforming the gallery into an industrial wasteland.
Beyond the totem is a stack of cinder blocks, arranged like the last wall of a dilapidated forge. Otherwise haphazard winter-edition Coca Cola cans have been lightly squeezed and positioned in a ceremonial ascension up the wall’s back; facing the gallery, a few thorny reeds shoot up from the blocks with a similar, seemingly-incidental decorum. - Whitney Kimball, NYC Contributor
