Filed under: Uncategorized | Tags: Barry McGee, Bay Area, Chris Johanson, Clare Rojas, Margaret Kilgallen, Mission District, Nadiah Fellah, Ratio 3, Rigo 23, the Mission School
Margaret Kilgallen, Untitled, c. 2000, Acrylic on canvas, 27 x 25 inches. Courtesy Ratio 3, San Francisco.
The Margaret Kilgallen show at Ratio 3 in San Francisco brings together over three dozen small works on paper and a handful of larger canvas pieces, all belonging to the late artist’s estate. An artist best remembered for a striking impression delivered with a duality of color and scale, the works at Ratio 3 are much more quiet, intimate, and candid. Some appear like private doodles, and others like focused studies for larger works, such as collections of lips or shoes punctuating a few small pages. All are drawn with her characteristic calligraphic lines in boldly colored acrylic.
Kilgallen—who died in 2001 at the age of 33—along with fellow artists Barry McGee (her husband and collaborator), Chris Johanson, Clare Rojas, Rigo 23 and several others have earned the movement moniker of The Bay Area Mission School, referring to the Mission District in San Francisco where many of them drew inspiration and lived or worked. The style is a reflection of low-tech, subversive art making, and relies on the inclusion of found objects, graffiti, and folk art quotations. It refers to a style that arose in the early 90s, but was not coined until 2002.
More after the jump! —Nadiah Fellah, San Francisco contributor
Filed under: Art World, San Francisco | Tags: Matthew Harrison Tedford, Mrzyk & Moriceau, Ratio 3, San Francisco
Mrzyk & Moriceau‘s new monochrome installation of recent work for Ratio 3 in San Francisco, The Man With The Golden Gun, showcases the duo’s trademark humorous black-and-white drawings, which teeter between a kind of pop surrealism and a not-so-innocent Saturday morning cartoon. Many of the works depict scenes that would appear otherwise perfectly natural were it not for one or more elements that render the entire scene absurd.
The framed drawings are arranged in messy, salon-style constellations that either compliment or disrupt the large-scale portraits painted directly onto the walls. A second gallery features two dozen black masks whose forms are taken straight from Mrzyk & Moriceau drawings. And a downtempo hymn from singer-songwriter Sébastien Tellier provides the soundtrack to the exhibition by way of Mrzyk & Moriceau’s adjacent animated music video. More pics after the jump! —Matthew Harrison Tedford, San Francisco contributor
Installation view, Mrzyk & Moriceau: The Man With The Golden Gun, Ratio 3, San Francisco
