Filed under: Los Angeles, Review | Tags: David Kordanksy, Ellen C. Caldwell, Jonas Wood
Straight up, Jonas Wood’s solo show at the David Kordansky Gallery (through May 12th) is one of my favorite shows of 2012 thus far. His larger-than-life, vibrant, and bright paintings are fetching, nostalgic, and cheerful. They are not “cheerful” in a sickening, sugarcoated, Katy-Perry-esque way, but in one that is varied, unexpected, and welcome. Some of the imagery and styles bring to mind childhood memories and the accompanying nostalgic feelings. - Ellen Caldwell, LA Contributor

Installation at David Kordansky Gallery
Filed under: Art World | Tags: Analia Saban, Andrew Masullo, Anna Betbeze, Dave Miko, Dona Nelson, Echo Eggebrecht, Forest Bess, Gabriel Hartley, John McAllister, Jonas Wood, Matthias Dornfeld, Steve Roden
2011 was a strong year for the ever-resilient medium of painting as artists continued to push the idea of just what a painting can be in terms of materials, scale and subject. I expect that 2012 will be no different. Over the past twelve months I visited hundreds of gallery exhibitions and did dozens of studio visits. Because of New American Paintings, I was also privileged to review the work of the more than 5,000 artists who applied to our competitions in 2011. In short, I looked at a lot of painting, and still, I regularly came across artists whose work took me somewhere completely new. - View the complete list of our 12 to watch in 2012 after the jump!

Forrest Bess | Untitled, 9 x 12 inches. Private Collection.
Filed under: Art World, Curator Watch List, Pacific Coast | Tags: 97, Allison Miller, Anne Ellegood, Dianna Molzan, Hammer Museum, Jay Stuckey, John McAllister, Jonas Wood, Kim Fisher, Lesley Vance, Mary Corse, NAP, Pacific Coast, Ruby Neri, Tom Lawson
We are currently putting together the Pacific Coast issue (NAP #97). Anne Ellegood, Senior Curator, Hammer Museum, Los Angeles, did a terrific job selected 40 artists from over 1,000 that applied to the competition. You’ll have to wait to find out who she selected from the region. But, when we asked her what other painters she would recommend to our readers, she names quite a few. So, check them out after the jump! And look for the Pacific Coast issue on the newsstands in December.

Dianna Molzan | Untitled, 2009, acrylic on canvas, 94 1/2” x 152 3/4”
Filed under: Art World, Atlanta, Boston, Chicago, Dallas, DC, Los Angeles, Must-Sees, New York, Portland, San Francisco, Seattle | Tags: Claire Sherman, David Rathman, Frohawk Two Feathers, Gianna Commito, Heyd Fontenot, Jaq Chartier, Jonas Wood, Josh Smith, Kenneth Noland, Kristine Moran, Must-Sees, Robert Jessup, Steve Roden, Tomory Dodge, William Swanson
Kristine Moran, Slow-wave 2, 2011 | Oil on canvas, 60 x 54 inches. Courtesy of Nicelle Beauchene Gallery, New York
It’s March, which means art fairs and new spring openings. The snow is melting (somewhat) and it’s time to hit the pavement to see some new work. The editorial staff at New American Paintings have put together a list of more than 40 of the top painting exhibitions on view at private galleries across the country this month—from New York to Los Angeles, Chicago to Miami, and more—including more than a dozen shows from artists previously included in New American Paintings and featuring dozens of notable and not-to-be-missed shows from across the country.
Filed under: Art World | Tags: Chris Johanson, Gabriel Orozco, Gerhard Richter, Jessica Stockholder, Jonas Wood, Luc Tuymans, Nadiah Fellah, Philip Guston, Rachel Harrison, Robert Rauschenberg, Vija Celmins
TOP: Robert Rauschenberg, Palladian Xmas (Spread), 1980 | Solvent transfer, acrylic, fabric and collage on wood panel, 74.25 x 133.75 x 7.5 inches. Courtesy Gagosian Gallery. BOTTOM: Jessica Stockholder, installation view of Sailcloth Tears, Mitchell-Innis & Nash, New York.
Last month, the editorial staff at New American Paintings posed the poll question, “Which artist, dead or alive, has most influenced contemporary painting?” Like many 20-somethings, I have suffered the youthful ignorance of generations that came before mine, but the fact remains that artists are often indebted to those that came before them. In the world of contemporary painting, there are a few artists that have emphatically led the pack in their generations, and they comprise the three names that received the most votes: Robert Rauschenberg, Gerhard Richter, and Philip Guston. Each revolutionized painting in their own right and have inspired entire generations of contemporary artists since. Read more after the jump! —Nadiah Fellah, San Francisco contributor












