Filed under: Art Fairs, Art Market, Art World, Miami, Must-Sees | Tags: 101/exhibit, Alex Ebstein, Andrew Schoultz, Andrews Basurto, Aqua Art Miami, Bass Museum of Art, Brian Fee, Corinna Belz, Dave Cole, David Lyle, Dirk Park, Dodge Gallery, Erin Langner, Erwin Wurm, Fahamu Pecou, Gerhard Richter, Hugh Scott-Douglas, James Rieck, Jaq Chartier, Jason Yarmosky, Jass-minh Moore, Jenny Saville, Keith Sonnier, Lyons Wier Gallery, Martin Wittfooth, Mary Henderson, Mike Simi, NAP, Norton Museum of Art, OHWOW, Primary Flight, Robert Yoder, Scooter La Forge, Season, Silverman Gallery, Tanya Bonakdar, The Pace Gallery, Thomas Scheibitz, Tim Okamura
There are tons of great fairs and plenty of projects to check out while you’re in Miami this year. Our staff and contributors wanted to give you the heads-up on a few things we think are definitely worth checking out. There are hundreds of other things we could have mentioned, but let’s start here…Big thanks to Brian Fee, Erin Langner, and Alex Ebstein. Check out their recommendations after the jump! And be sure to tell us your recommendations in the comments section!
Filed under: Behind the Scenes, Q&A | Tags: Boston, Boston Red Sox, Cabinet, Dave Cole, DODGEgallery, Ellen Harvey, Evan J. Garza, Jason Middlebrook, Kristen Dodge, Lower East Side
Kristen Dodge is from Boston (don’t get it twisted), and she’s representing Red Sox fans in a city full of Yankees. After several years in Boston where she served as director of judi rotenberg gallery, which shuttered this summer after 40 years of programming, Dodge has taken her new gallerist reigns to the Lower East Side of New York and is running full gallop in her new space, DODGEgallery.
While in Boston, Dodge created a dynamic program of contemporary artists with rotenberg co-director Abigail Ross, which Nick Capasso, senior curator at the DeCordova, said, “became one of the most important places to see advanced work in Boston”—a goal that she is already hard at work executing in her new home in New York at 15 Rivington Street, just around the corner from the New Museum.
Dodge works hard, she expects artists to be hard-working as well, and—to no surprise—she admits that the work she’s drawn to is rigorous. I spoke with the young New York dealer this week to talk about leaving Boston, why she decided on the Lower East Side, and her plans for her new space. —Evan J. Garza
EJG: You were director at judi rotenberg for a number of years before recently moving to New York and starting your own space, DODGEgallery. How did you end up in New York? And why the Lower East Side?
I worked at the rotenberg gallery with Abigail Ross for 6 years. My first day on the job was one of those moments in life when everything falls into place and you find yourself exactly where you need to be. It was an incredible run, and very hard to sever myself from both the gallery and Abi. When I first told her that I needed to follow my own dream, take the leap, grab life by the balls—however you want to say it—she was immediately supportive and excited for me, or relieved to have me off her tail!
I spent a few months weighing the pros and cons of Boston versus New York, and it became very obvious to me that I would have a more balanced lifestyle in Boston, my home, but that I would find greater opportunity in New York. I decided that if I was going to make this commitment and the number of sacrifices that it entails, and ask our artists to do the same, I needed to position the gallery in New York where there is endless and unparalleled opportunity. So I spent about five months traveling back and forth to New York to set up the business. I had some incredible friends who let me sleep on their couch, and so many friends and family who offered their unwavering support. I’m also incredibly lucky that Patton Hindle was willing to pick up her life in Boston and move to New York to join the gallery.
So why the Lower East Side? This is one of the most exciting gallery hubs in the city—it’s the newest generation of spaces, and continues to grow steadily. I’ve heard that nine new galleries opened in L.E.S. this fall. It’s more renegade than Chelsea is now, there’s a greater opportunity to stand out, and find memorable, unlikely spaces [in which] to open a gallery. Visitors like the sense of discovery that the neighborhood offers too. How fantastic is it to walk past a kitchen supply store and stumble into a contemporary art gallery?