Filed under: Chicago, Interview | Tags: Adam Scott, Angel Otero, Antonia Gurkovska, Curtis Mann, Josh Reames, Kavi Gupta, Tony Tasset
I recently went to Kavi Gupta Gallery in Chicago to see Antonia Gurkovska’s first solo show with the gallery, after viewing her show I stepped into Kavi’s second gallery where a group show of his artists was installed. I made my way past a Tony Tasset sculpture, a huge Angel Otero painting, and a few Curtis Mann photos to the back room, which was full of a group of incredibly exciting, though unfamiliar paintings. It came as quite a shock to find out they belonged to Adam Scott, whose work I have been familiar with and a huge fan of. Adam has been making large, super-saturated paintings of deconstructed cartoon-y figures and scenes with a sort of implied narrative. The paintings are made by pouring paint in a controlled way to construct an recognizable image, but with a degree of slippage allowing for a wavy, tripped-out looseness to the it. The new work is much different; no cartoons, a new collage aesthetic, and a nod to a left-brained formalism not formerly prevalent in his paintings. So I decided to talk to Adam about the reinvention (after the jump)… –Josh Reames, Chicago Contributor
