Filed under: Art World, Atlanta | Tags: Atlanta, Boston, Douglas Weathersby, Environmental Services, Flux Projects, Solomon Projects
Environmental Services Paint Shed Showcase, installation view, Solomon Projects, Atlanta. Photo courtesy Solomon Projects.
Environmental Services is Boston artist Douglas Weathersby‘s art-making practice as well as his handyman company and livelihood. Working with clients, galleries, artists, museums, and collaborators, Weathersby responds to both the project at hand and the site itself, transforming accumulations of dust and detritus into elegant installations.
Paint Shed Showcase, his much-anticipated solo show for Atlanta’s Solomon Projects, finds Weathersby at possibly his most refined, with large acrylic on drop cloth paintings operating as both artifacts of his previous work (the ES Paint Shed for Flux Projects) and bona fide paintings and sculptures. As well, the Solomon space has been transformed by wall murals, photographic logs, vinyl graphics by the artist, and installations of used paint cans. As contemporary practitioners continue to explore the painting as object, Weathersby’s approach is in a league of its own, imbuing remarkable conceptual understandings and context into methods of production, the act of art preparation, and actual art-making.
More after the jump. —Evan J. Garza, Editor-at-Large
Filed under: Art World, New York | Tags: Anna Plesset, Collin Hatton, Corydon Cowansage, Field Kallop, Katie Bell, Keith Allyn Spencer, Mike Schbreiber, Mixed Greens, Nell Painter, New Insight, New York, NEXT, RISD
Katie Bell, Breaker, 2011 | Vinyl, acrylic, foam, rope and paper. Approx. 9 x 10 feet. Courtesy Mixed Greens, New York.
There have been countless MFA thesis shows around the country since May, but few have been as captivating or as relevant as that of the RISD Painting MFA 2011 grads on view at Mixed Greens in New York. (And even fewer are still on view through July.) Hailing from the Rhode Island School of Design, the show features work by Corydon Cowansage, Collin Hatton, Field Kallop, Nell Painter, Anna Plesset, Mike Schbreiber, Keith Allyn Spencer, and Katie Bell, who we recently saw in the annual New Insight show of promising MFA candidates, curated by Susanne Ghez for NEXT Chicago.
If the work by artists in Small Crowd is any indication of what’s taking place in MFA painting programs across the country, the outlook is good. Abstraction is unsurprisingly favored over figuration here, and wielded by Hatton, Kallop, Spencer and others. Contemporary painters are frequently returning to ideas of the painting as object, an approach used by Bell and Plesset, and to brilliant effect.
More pics after the jump! —Evan J. Garza, Editor-at-Large
Filed under: Art World, New York | Tags: DODGEgallery, Douglas Weathersby, Environmental Services, Jane Fox Hipple, Laurel Sparks, New York, Robert de Saint Phalle, Taylor Davis
Taylor Davis, d sell em, 2009, watercolor and watercolor pencil on paper, 10 x 14 inches
With the summer equinox behind us, that can only mean one thing: summer group shows. Capping off their inaugural year in business, New York’s DODGE gallery on the Lower East Side recently opened with one of our summer favorites. SHAKEDOWN, featuring work by the gallery’s roster and invited artists, is a veritable ‘who’s who’ of emergent talent from Boston and New York, including work by Jane Fox Hipple, Laurel Sparks, Taylor Davis, Robert de Saint Phalle, Environmental Services, and several others.
More pics after the jump!
Filed under: Art World, DC | Tags: DC, Frank Stella, Matthew Smith, Phillips Collection, Wassily Kandinsky
Frank Stella, K.43 (lattice variation) protogen RPT (full-size), 2008 | Protogen RPT with stainless steel tubing, 144 x 176 x 116 inches. Courtesy of FreedmanArt. © 2011 Frank Stella / Artists Rights Society (ARS), New York. Photo: Gregory R. Staley.
Frank Stella doesn’t play second fiddle, but for Wassily Kandinsky he’ll play second harpsichord. Well, sort of. Currently on display at The Phillips Collection in Washington, D.C. is Stella Sounds: The Scarlatti K Series, a subset of the painterly sculptures the artist originally exhibited at Paul Kasmin Gallery in 2009. Inspired by the eighteenth century harpsichord sonatas of Domenico Scarlatti, Stella’s work is meant to provide a contemporary context for the Phillips’ concurrent show, Kandinsky and the Harmony of Silence, an examination of the creative process that lead to Kadinski’s 1913 pioneering abstract masterpiece “Painting with White Border.”
The idea is that contemporary abstraction like Stella’s has its theoretical roots in Kandinski’s trailblazing work, and despite the artists’ differences — just about 100 years worth of differences — there’s a visual dialogue that results from the pairing. Also evident is the merging of painterly and sculptural space, as Stella’s objects, mostly hanging on the walls like paintings, offer steel armatures that appear to function like the gestural brush strokes in Kandinski’s work.
More pics after the jump! —Matthew Smith, D.C. Contributor
Filed under: Art World, Los Angeles, New York | Tags: Aaron Smith, beards, Evan J. Garza, Los Angeles, mustache, New York, painting, Sloan Fine Art
Aaron Smith, Chopsy, 2011 | Oil on panel, 28 x 24 inches. Courtesy Sloan Fine Art, New York.
Upon examining his work, one can only imagine that Los Angeles-based painter Aaron Smith is somewhat of a romantic. His thick, impastoed brushstrokes in oil, when combined with his nostalgic 19th-century era figures, deeply recall the gesture-heavy application of the Post-Impressionists imbued with a freshness (and palette) that is altogether contemporary.
A connoisseur of whiskers in his own right (he rocks a mean curly mustache), Smith fills his canvases with images of men belonging to another time. However, his approach to representation—which is simultaneously direct and abstracted—takes these characters from the past and fervently pulls them into the present, primarily through his use of color. Using a palette that could be culled from the Fauvists, Smith’s otherwise brooding men are brightly colored, flipping ideas of masculinity on their pastel heads.
More beards, and pics from his solo show at Sloan Fine Art, after the jump! —Evan J. Garza, Editor-at-Large
Filed under: Art World, Competitions, Los Angeles, NAP News, Q&A | Tags: Anne Ellegood, CCS Bard, Dan Cameron, Douglas Fogle, Hammer Museum, LA><ART, Lisa Phillips, Los Angeles, Marcia Tucker, New Museum
Only ten days are left for artists to apply to our Pacific Coast Competition 2011, which is open through Thursday June 30! (Apply online if you’re an artist in AK, CA, HI, OR, or WA.) We’re thrilled to feature the incredible expertise of L.A.’s Anne Ellegood, Senior Curator at the Hammer Museum, as the juror for the Pacific Coast Competition, one of our most sought-after issues of the year.
I recently caught up with the Los Angeles curator to find out more about her role at the Hammer, her thoughts on living and working in L.A., and her fondness for emerging artists. More of our Q&A after the jump!
EJG: The Hammer has long had one of the most significant contemporary art programs in Los Angeles. What’s the most exciting thing about what you do at the museum?
AE: There is so much that is exciting at the Hammer, that’s it’s difficult to answer this question. I oversee our Hammer Projects series and also organize a lot of the Hammer Projects shows. We do anywhere from 8-10 of these single-gallery exhibitions a year in different spaces around the museum. The majority of our Hammer Projects focus on a single artist. The shows are tightly curated and usually present new work and are oftentimes the artist’s first museum show. We always have a Hammer Project on and around our large lobby wall, and these projects are particularly challenging and invigorating because they are commissioned new works and oftentimes the artist is pushing and stretching their work in new directions to fill what is a difficult but wonderful space. It’s rewarding to get to be a part of that process.
What role have emerging artists had in your time at the Hammer and in your career?
We are very committed to supporting the work of emerging artists at the Hammer. Los Angeles is a city filled with young artists, many of whom come to L.A. to go to one of the many fantastic art schools and then continue to live in the city. Our Hammer Projects series focuses primarily on emerging artists, and we have had a series of bi-annual exhibitions we call our Invitational that has always included emerging artists (the sixth one, which Douglas Fogle and I organized, was called All of this and nothing and just closed at the end of April). We have also just decided to do a survey of emerging and overlooked artists living in L.A. We are co-organizing this show with LA><ART and it will take place next summer.
Filed under: Art Fairs, Art World | Tags: Franklin Evans, Jarmuschek & Partner, LARMgalleri, Nicola Samori, Nika Neelova, Tao XUE, VOLTA7
TOP: Franklin Evans at Federico Luger. BOTTOM: Tao XUE at 55. Images courtesy VOLTA7. Photos: Nicholas Winter Photography.
Filed under: Competitions, NAP News, Sneak Peeks | Tags: 94, Alex Kvares, Ananda Balingit-LeFils, Andrew Blanchard, Andrew Smaldone, Beth Edwards, Beverly McIver, Bonard Hughins, Brian Haverlock, Chloe S. Watson, Chris Jahncke, Craig Drennen, Dan Cameron, Hamlett Dobbins, Ian Larson, Jason Galbut, Jed Jackson, Jered Sprecher, Jerry Cutler, Kathleen Loe, Katie Miller, Kim Manfredi, Kyle White, Lillian Bayley Hoover, Lydia Ruby, Maggie Evans, Maggie Michael, Marcus Kenney, Mark Bradley-Shoup, Marucs Jansen, Michel Modell, Mickael Broth, Monica Zeringue, Nancy VanDevender, OHWOW, Prospect New Orleans, Rachel Bone, Ralph Bourque, Regina Scully, Ryan Browning, Ryan Foster, Susan Martin, Tad Lauritzen Wright, Tom Stephens, Troy Dugas, Whitney Wood Bailey
Cover: Marcus Jansen
For the 2011 edition of the Southern Competition, we’re thrilled to feature the curatorial expertise of Dan Cameron, the founder and director of Prospect New Orleans, a post-Katrina effort that is single-handedly changing the landscape of contemporary art in the Southern United States. As the man behind the largest international biennial of contemporary art in America, Cameron’s experience working with emerging artists dates back several years, and New American Paintings is proud to exhibit his perspective as this issue’s juror.
The Spotlight feature for #94 focuses on the work of Knoxville, Tennessee’s Jered Sprecher, whose optically charged abstractions have more in common with representational forms than they reveal at first glance. The winner of a 2009 John Simon Guggenheim Memorial Foundation Fellowship, Sprecher is an assistant professor at the University of Tennessee, Knoxville and a wily investigator of commonplace mark-making. Sprecher speaks with us about abstraction, Dollywood, and where you go looking for inspiration in the cornfields of Nebraska.
No conversation about contemporary work in the South would be complete without talking about Miami, and OHWOW’s Lydia Ruby speaks to us about the risk-taking sensibilities of the South Florida art capital, her move from Boston, and her experiences in the art world working with emerging artists.
With American institutions like The Whitney increasingly acquiring work from artists in the South, it’s clear that the region is more vital than ever before, and New American Paintings is excited to be a stalwart site for this growing conversation. Order your copy online! A full list of winners, and preview images, after the jump!
—Evan J. Garza, Editor-at-Large
Filed under: Art Fairs, Art World | Tags: Allora & Calzadilla, Art Basel, Art fairs, Basel, Francis Bacon, Fred Sandback, George Condo, James Turrell, Jason Rhoades, Kurt Schwitters, Lynda Benglis, Robert Rauschenberg
TOP: Francis Bacon, Marlborough Galerie | Zürich. BOTTOM: Robert Rauschenberg│Peter Freeman, New York. «Images: Courtesy of Art Basel»
Filed under: Art World, Competitions, Los Angeles, Portland, San Francisco, Seattle | Tags: 97, Anne Ellegood, competitions, Hammer Museum, Pacific Coast, Robert Minervini
Robert Minervini, L. A. (sell me something else) | Acrylic on canvas, 50 x 68 inches. Featured in edition #91 of New American Paintings.
Just more than two weeks are left for artists to apply to our annual Pacific Coast competition, one of our most anticipated and highly sought-after books of the year. Jurying the submissions this year is none other than Anne Ellegood, Senior Curator at the Hammer Museum, Los Angeles. We’re thrilled to have Anne as our Pacific Coast juror for the 2011 competition, and we’re excited to see the work from each of the artists who apply.
The Pacific Coast competition is open to artists living in AK, CA, HI, OR, and WA, and the deadline to apply is Thursday June 30, which is just around the corner, so get cracking.